Film
| Peter Rabbit |
Dir: Will Gluck Animal Logic, Sony Pictures |
| We Can Be Heroes |
Dir: Claire Downes Heroes Productions |
Theatre
|
The Provoked Wife and Venice Preserved
|
Dir: Phillip Breen and Prasanna Puwanarajah |
| Twelfth Night |
Dir: Kwame Kwei-Armah & Oskar Eustis |
| Deposit |
Dir: Lisa Spirling Hampstead Theatre |
| Breaking The Code |
Dir: Rob Hastie Royal Exchange Theatre |
| Human Animals |
Dir: Hamish Pirie The Royal Court Theatre |
| Bend It Like Beckham |
Dir: Gurinder Chadha Phoenix Theatre |
| Teh Internet Is A Serious Business |
Dir: Hamish Pirie The Royal Court Theatre |
| Twelfth Night |
Dir: Gemma Bodinetz Liverpool Everyman |
| Fault Lines |
Dir: Lisa Spirling Hampstead Theatre Downstairs |
| Romeo & Juliet |
Dir: Bijan Sheibani National Theatre |
| Arab Nights |
Dir: Poppy Burton-Morgan Metta Theatre |
| Rest Upon The Wind |
Dir: Tanushka Marah A.M. Productions |
| Rough Cuts |
Dir: Simon Godwin Royal Court Theatre |
| Hamlet |
Dir: Conrad Nelson Northern Broadsides |
| Arabian Nights |
Dir: Dominic Cooke RSC |
| As You Like It |
Dir: Tim Supple Dash Arts |
| Hansel & Gretel |
Dir: Gill Robertson Catherine Wheel Theatre Company |
| Twelfth Night |
Dir: Ed Dick New Shakespeare Theatre Company |
TV
| The Great |
Dir: Ben Chessell MRC/ HULU |
| Roadkill |
Dir: Michael Keillor The Forge/ BBC1 |
| Sandylands |
Dir: Michael Cumming King Bert Productions / UKTV |
| Bad Move |
Open Mike Productions / ITV |
| No Offence 3 |
Dir: Various |
| Bodyguard |
Dir: Jed Mercurio BBC, World Productions |
| Casualty |
Dir: Judith Dine |
| KIRI |
Dir: Euros Lyn Channel 4 |
| Lewis |
Dir: Dan Reed ITV |
| Gavin & Stacey |
Dir: Christine Gernon BBC |
| Monster TV |
Dir: Jeremy Swan BBC |
Awards
2016 - Bend It Like Beckham - Olivier Award Nomination for Best Actress in a Musical
2015 - Bend It Like Beckham - Evening Standard Nomination for Best Newcomer In A Musical Award
2009 - As you Like It - Ian Charleson Award Third Place
2008 - Twelfth Night - Ian Charleson Award Commendation
2008 - SPOTLIGHT prize nominee
Skills
|
Accents & Dialects: (* = native) |
American-Standard, Arab, Indian, London, RP*, West Country, Yorkshire |
|
Languages: (* = Native/Fluent) |
English* |
|
Music & Dance: (* = highly skilled) |
Alto, Ballet, Jazz Dancing, Mezzo-Soprano*, Period Dancing*, Soprano, Tap* |
|
Sports: (* = highly skilled) |
Swimming |
| Vehicle Licences: | Car Driving Licence |
| Other Skills: | Acrobatics |
The CV is a pdf document - to view this a pdf reader is required. You can download this from the Adobe website:
Reviews
TWELFTH NIGHT
“A beguiling performance from NATALIE DEW as a sexually eager Olivia.”
Michael Billington The Guardian
★★★★☆ “NATALIE DEW is a bright-eyed, engaging Olivia. […] Twelfth Night has an irrepressible sense of fun, and the message is a clear one: the themes of his new regime will be accessibility, empathy, generosity and inclusiveness.”
Henry Hitchings – Standard
“Twelfth Night, in turn, allows room for grief: the opening image of a hearse sets the scene for the mournful Olivia (the ever-delightful NATALIE DEW). The production is at its best when sweetest and least strenuous: when, for instance, a gossip-minded subset of the community chorus that are part of the company takes centre-stage to inform us of “the word on the street”, or at moments that find DEW’S erotically reawakened Olivia chasing a half-dressed bedmate outdoors, unaware that she has her mysterious intermediary confused with the unrecognisable Viola’s hot-to-trot twin, Sebastian.”
Matt Wolf – The Arts Desk
HUMAN ANIMALS
“A mother and daughter, Nancy and Alex, come down on opposite sides; the younger (Natalie Dew, outstanding), just back from travels overseas, protests against animal hostility; the elder (Stella Gonet) fears for her family and her home. Two men, John and Si, meet for drinks in a pub - strangers with a sexual tension become mutually suspicious friends.” - Matt Trueman (whatsonstage.com)
“Hamish Pirie’s fast-moving and fluid production fields a battery of effects, with birds crashing into window panes and projections of insect colonies. Despite a lack of depth in some exchanges, there are enjoyable performances not only from Gelder and Gonet, but also from Ashley Zhangazha and Natalie Dew as the conflicted couple Jamie and Lisa.” - Aleks Sierz (The Stage)
Stats
| Height: | 5'3" (160cm) |
| Eye Colour: | Brown |
| Hair Colour: | Black |
| Playing Age: | 16-25 |
